The installation combined experimental film, projected moving image, sound, music, and altered church objects, including charred fans and hymnals. Situated within one of the few surviving buildings connected to Greenwood's Black history, the work used the Black church as both a symbol and a site to represent refuge, fellowship, resilience, and the ongoing vulnerability of Black spaces to racial violence.
Through image, sound, and installation, the work invited visitors into a space of remembrance and reflection, considering how Black communities create places of care and protection while living under the persistent shadow of racial violence.
Press:
The Oklahoman
ArtNetNews
